{"id":105587,"date":"2022-09-22T21:29:21","date_gmt":"2022-09-22T21:29:21","guid":{"rendered":"https:\/\/icarusvsmuzak.com\/?p=105587"},"modified":"2023-04-08T10:41:56","modified_gmt":"2023-04-08T10:41:56","slug":"ariadne-and-the-minotaur","status":"publish","type":"post","link":"https:\/\/icarusvsmuzak.com\/en\/ariadne-and-the-minotaur\/","title":{"rendered":"Ariadne and the Minotaur"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;2&#8243; bottom_padding=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;564871&#8243;][vc_column width=&#8221;1\/1&#8243;][vc_single_image dynamic=&#8221;yes&#8221; media_width_percent=&#8221;100&#8243; media_ratio=&#8221;sixteen-nine&#8221; alignment=&#8221;center&#8221; uncode_shortcode_id=&#8221;161843&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;4&#8243; bottom_padding=&#8221;7&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; uncode_shortcode_id=&#8221;158933&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;5&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; uncode_shortcode_id=&#8221;175235&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;4&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; limit_content=&#8221;&#8221; uncode_shortcode_id=&#8221;620769&#8243;][vc_column_inner width=&#8221;1\/2&#8243;][vc_custom_heading auto_text=&#8221;yes&#8221; heading_semantic=&#8221;h1&#8243; text_size=&#8221;fontsize-338686&#8243; text_weight=&#8221;200&#8243; uncode_shortcode_id=&#8221;198953&#8243;]This is a custom heading element.[\/vc_custom_heading][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/4&#8243; uncode_shortcode_id=&#8221;163649&#8243;][vc_custom_heading heading_semantic=&#8221;h4&#8243; text_size=&#8221;h4&#8243; text_height=&#8221;fontheight-524109&#8243; text_space=&#8221;fontspace-781688&#8243; uncode_shortcode_id=&#8221;375308&#8243;]<b>\u2014 Silvia Colasanti<\/b>\u00a0(1975)<br \/>\n<i>Arianna e il Minotauro<\/i>\u00a0(2019)[\/vc_custom_heading][\/vc_column_inner][vc_column_inner width=&#8221;1\/4&#8243;][vc_custom_heading heading_semantic=&#8221;h5&#8243; text_size=&#8221;h5&#8243; text_height=&#8221;fontheight-524109&#8243; text_space=&#8221;fontspace-781688&#8243; uncode_shortcode_id=&#8221;259562&#8243;]Melologue for narrator, soprano and ensemble. Libretto by Giorgio Ferrara and Ren\u00e9 De Ceccatty.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=&#8221;accent&#8221; uncode_shortcode_id=&#8221;631980&#8243; sep_color_type=&#8221;uncode-palette&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/1&#8243;][vc_column_text uncode_shortcode_id=&#8221;113762&#8243;]Text taken from the hall booklet from Icarus vs Muzak performance at the <strong>Elfo Puccini<\/strong> theatre, Milan. Narrator: <strong>Elio de Capitani<\/strong>, 22 September 2022.<\/p>\n<p>&nbsp;<\/p>\n<p>Silvia Colasanti revisits the myth of Ariadne and the Minotaur in a 35\u2032-long composition, preceded by a public meeting with the composer.<\/p>\n<p>The evening&#8217;s programme introduces us to the myth through Britten&#8217;s delicate suggestions, interspersed with verses from six of Ovid&#8217;s Metamorphoses, before moving on to Silvia Colasanti. Her work reinterprets the myths according to a contemporary language and sensibility, in the form of a melologue, to address the story of the Minotaur.<br \/>\nIn Ariadne and the Minotaur \u2013 libretto by Giorgio Ferrara and Ren\u00e9 De Ceccatty \u2013 the usual dialectic between the recited word and music is interwoven with song, in a further multiplication of expressive possibilities.<br \/>\nThe myth of a terrifying monster is transformed into a &#8216;human&#8217; drama: the strength of the Minotaur (Elio De Capitani) is not accompanied by thought and the ability to distinguish good from evil, but by a confused and innocent feeling, which makes the monster &#8216;the different one&#8217;, not an enemy, but a victim, a naive man condemned to live in the body of a monstrous being.<br \/>\nOpposed to him is man as the real executioner, capable of deception and false friendship, represented by Ariadne (the soprano Giulia Bolcato) half-sister of the Minotaur because she is the daughter of the same mother Pasiphae.<\/p>\n<p>&nbsp;<\/p>\n<p>Watch the trailer:[\/vc_column_text][vc_single_image media=&#8221;105074&#8243; media_width_percent=&#8221;100&#8243; border=&#8221;yes&#8221; uncode_shortcode_id=&#8221;199448&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Silvia Colasanti: Arianna e il Minotauro<\/p>\n","protected":false},"author":2,"featured_media":104367,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[88,91],"tags":[],"class_list":["post-105587","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerts-en","category-video-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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