{"id":104280,"date":"2020-09-26T08:48:34","date_gmt":"2020-09-26T08:48:34","guid":{"rendered":"https:\/\/icarusvsmuzak.com\/?p=104280"},"modified":"2023-04-07T14:43:49","modified_gmt":"2023-04-07T14:43:49","slug":"music-and-architecture","status":"publish","type":"post","link":"https:\/\/icarusvsmuzak.com\/en\/music-and-architecture\/","title":{"rendered":"Music & Architecture"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”564871″][vc_column width=”1\/1″][vc_single_image dynamic=”yes” media_width_percent=”100″ alignment=”center” uncode_shortcode_id=”761480″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”7″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”158933″][vc_column column_width_percent=”100″ gutter_size=”5″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ uncode_shortcode_id=”175235″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ limit_content=”” uncode_shortcode_id=”620769″][vc_column_inner width=”1\/2″][vc_custom_heading auto_text=”yes” heading_semantic=”h1″ text_size=”fontsize-338686″ text_weight=”200″ uncode_shortcode_id=”198953″]This is a custom heading element.[\/vc_custom_heading][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”163649″][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ text_height=”fontheight-524109″ text_space=”fontspace-781688″ uncode_shortcode_id=”743626″]Rigenera <\/em>Festival
\nChiostri monumentali San Pietro<\/p>\n

Via Emilia, 44c
\nReggio Emilia[\/vc_custom_heading][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ text_height=”fontheight-524109″ text_space=”fontspace-781688″ uncode_shortcode_id=”124888″]September 26 2020, 8 p.m.[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”accent” uncode_shortcode_id=”631980″ sep_color_type=”uncode-palette”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ limit_content=”” uncode_shortcode_id=”699846″][vc_column_inner column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”148968″][vc_column_text uncode_shortcode_id=”411404″]Johann Sebastian Bach<\/strong>
\nThe Art of Fugue: extracts<\/p>\n

Edgar Var\u00e8se<\/strong>
\nDensity 21.5<\/p>\n

Iannis Xenakis<\/strong>
\nPersephassa[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”164811″]Icarus vs Muzak <\/strong>(Bach)
\nBenedetta Polimeni, flauto
\nOrfeo Manfredi, oboe
\nAlberto Delasa, clarinetto
\nMartino Tubertini, fagotto
\nGiorgio Genta, chitarra
\nGilga Gianolio, arpa
\nMarco Lazzaretti, vibrafono
\nFrancesco Pedrazzini, marimba[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_column_text uncode_shortcode_id=”191517″]Icarus Ensemble <\/strong>(Var\u00e8se)
\nGiovanni Mareggini<\/p>\n

Icarus vs Muzak <\/strong>(Xenakis)
\nGabriele Genta
\nMarco Lazzaretti
\nMartino Mora
\nFrancesco Pedrazzini
\nMarcello Repola
\nMatteo Rovatti[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”542485″][vc_column_text uncode_shortcode_id=”749611″]Three different ways of understanding music declined as sound architecture. Bach’s monumental work approached by two of the three artists who authored the first multimedia installation in history. The spatialization of the concert takes on crucial importance, frontal in the Art of Fugue, from above in Density 21.5, with the six groups of percussion arranged around the audience in Persephassa.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ limit_content=”” uncode_shortcode_id=”132238″][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”188867″][vc_button size=”link” btn_link_underline=”btn-underline” link=”url:http%3A%2F%2Ficarusvsmuzak.com%2Fwp-content%2Fuploads%2F2022%2F03%2FLocandine-eventi_ICARUS.pdf|target:_blank|” uncode_shortcode_id=”729476″ icon=”fa fa-file-pdf-o”]Download the poster[\/vc_button][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/1″][vc_gallery el_id=”gallery-589202″ type=”carousel” dynamic=”yes” carousel_lg=”1″ carousel_md=”1″ carousel_sm=”1″ thumb_size=”three-two” gutter_size=”3″ carousel_interval=”3000″ carousel_navspeed=”400″ carousel_loop=”yes” carousel_nav=”yes” carousel_dots=”yes” carousel_dots_mobile=”yes” stage_padding=”0″ single_overlay_color=”color-jevc” single_overlay_opacity=”80″ single_h_align=”center” single_padding=”2″ single_icon=”fa fa-plus2″ single_border=”yes” uncode_shortcode_id=”770042″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Bach | Var\u00e8se | Xenakis<\/p>\n","protected":false},"author":1,"featured_media":103632,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[88,91],"tags":[],"class_list":["post-104280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-concerts-en","category-video-en"],"yoast_head":"\nMusic & Architecture - ICARUS VS MUZAK<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/icarusvsmuzak.com\/en\/music-and-architecture\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Music & Architecture - ICARUS VS MUZAK\" \/>\n<meta property=\"og:description\" content=\"Bach | Var\u00e8se | Xenakis\" \/>\n<meta property=\"og:url\" content=\"https:\/\/icarusvsmuzak.com\/en\/music-and-architecture\/\" \/>\n<meta property=\"og:site_name\" content=\"ICARUS VS MUZAK\" \/>\n<meta property=\"article:published_time\" content=\"2020-09-26T08:48:34+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-07T14:43:49+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/icarusvsmuzak.com\/wp-content\/uploads\/2022\/03\/chiostri-san-pietro.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1255\" \/>\n\t<meta property=\"og:image:height\" content=\"556\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Campbell\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Campbell\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/icarusvsmuzak.com\\\/en\\\/music-and-architecture\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/icarusvsmuzak.com\\\/en\\\/music-and-architecture\\\/\"},\"author\":{\"name\":\"Campbell\",\"@id\":\"https:\\\/\\\/icarusvsmuzak.com\\\/en\\\/#\\\/schema\\\/person\\\/4adbf1faa20723e4283e17ab53f10704\"},\"headline\":\"Music & Architecture\",\"datePublished\":\"2020-09-26T08:48:34+00:00\",\"dateModified\":\"2023-04-07T14:43:49+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/icarusvsmuzak.com\\\/en\\\/music-and-architecture\\\/\"},\"wordCount\":696,\"image\":{\"@id\":\"https:\\\/\\\/icarusvsmuzak.com\\\/en\\\/music-and-architecture\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/icarusvsmuzak.com\\\/wp-content\\\/uploads\\\/2022\\\/03\\\/chiostri-san-pietro.jpg\",\"articleSection\":[\"Concerts\",\"Video\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/icarusvsmuzak.com\\\/en\\\/music-and-architecture\\\/\",\"url\":\"https:\\\/\\\/icarusvsmuzak.com\\\/en\\\/music-and-architecture\\\/\",\"name\":\"Music & Architecture - 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