{"id":105855,"date":"2022-09-03T10:52:30","date_gmt":"2022-09-03T10:52:30","guid":{"rendered":"https:\/\/icarusvsmuzak.com\/?post_type=portfolio&p=105855"},"modified":"2025-03-12T11:28:13","modified_gmt":"2025-03-12T11:28:13","slug":"reflets","status":"publish","type":"portfolio","link":"https:\/\/icarusvsmuzak.com\/en\/concert\/reflets\/","title":{"rendered":"Reflets"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”564871″][vc_column width=”1\/1″][vc_single_image dynamic=”yes” media_width_percent=”100″ media_ratio=”sixteen-nine” alignment=”center” uncode_shortcode_id=”564444″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”7″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”158933″][vc_column column_width_percent=”100″ gutter_size=”5″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ uncode_shortcode_id=”175235″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ limit_content=”” uncode_shortcode_id=”620769″][vc_column_inner width=”1\/2″][vc_custom_heading auto_text=”yes” heading_semantic=”h1″ text_size=”fontsize-338686″ text_weight=”200″ uncode_shortcode_id=”198953″]This is a custom heading element.[\/vc_custom_heading][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”163649″][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ text_height=”fontheight-524109″ text_space=”fontspace-781688″ uncode_shortcode_id=”139709″]Sala Carrozze, Chiostri di San Domenico
\nVia Dante Alighieri, 11
\nReggio Emilia[\/vc_custom_heading][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ text_height=”fontheight-524109″ text_space=”fontspace-781688″ uncode_shortcode_id=”187209″]27 September 2022[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”accent” uncode_shortcode_id=”631980″ sep_color_type=”uncode-palette”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ limit_content=”” uncode_shortcode_id=”699846″][vc_column_inner column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”148968″][vc_column_text uncode_shortcode_id=”577332″]Sylvano Bussotti <\/b>(1931-2021)
\nFive Pieces for David Tudor <\/i>(1959), for piano<\/p>\n

Alessandro Solbiati <\/strong>(1956)
\nSottovoci <\/em>(2016)
\nStudio V<\/em> (2017)
\nfor guitar<\/p>\n

Ivan Fedele <\/b>(1953)
\nReflets <\/i>(2018), per piano<\/p>\n

Marco Longo <\/b>(1979)
\nCanto d’ombra <\/em>(2022), for electric guitar, percussions and piano<\/p>\n

Fausto Romitelli <\/b>(1963-2004)
\nTrash TV dance <\/i>(2002), for electric guitar<\/p>\n

Riccardo Nova<\/strong> (1960)
\nPrimes Seventeen (2010-2014), for electric guitar and percussions<\/p>\n

 <\/p>\n

 <\/p>\n

Icarus vs Muzak<\/strong>
\nGiorgio Genta, guitar
\nFrancesco Pedrazzini, percussions
\nDiego Petrella, piano[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”542485″][vc_column_text uncode_shortcode_id=”102116″]<\/p>\n

Reflets<\/em> is the title of Ivan Fedele’s piece written on the Debussy centennial, based on structures from his Images<\/em>, to which Fedele applies mirrorings artifices, as a representation of water \u2013 a typical element of symbolistic and impressionistic sensibility.<\/p>\n

These are reflections of the last decades of musical production through several generations of musicians who played an important role in the poetics of this period. A path that moves through the Informel<\/em> with the versatile figure of Bussotti: composer, poet, painter, cultural animator. Then we move to the generation born in the 1950s that has overcome the post-Darmstadtian structuralist phase, rediscovering fruition \u2013 as opposed to construction. Finally a group of composers bound to the use of instruments and languages from distant cultures: while Nova takes much from indian music, Romitelli is close to rock and techno. The last proposal, Marco Longo, represents a further, possible insight into the poetics of contemporary music production.<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ limit_content=”” uncode_shortcode_id=”132238″][vc_column_inner width=”1\/2″][vc_gallery el_id=”gallery-167423″ type=”carousel” medias=”103408,103410″ carousel_lg=”3″ carousel_md=”3″ carousel_sm=”1″ gutter_size=”3″ carousel_interval=”3000″ carousel_navspeed=”400″ stage_padding=”0″ single_overlay_opacity=”50″ single_padding=”2″ uncode_shortcode_id=”121860″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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