{"id":105207,"date":"2022-10-01T20:32:20","date_gmt":"2022-10-01T20:32:20","guid":{"rendered":"https:\/\/icarusvsmuzak.com\/?post_type=portfolio&p=105207"},"modified":"2025-03-12T11:28:10","modified_gmt":"2025-03-12T11:28:10","slug":"the-turn-of-the-screw","status":"publish","type":"portfolio","link":"https:\/\/icarusvsmuzak.com\/en\/concert\/the-turn-of-the-screw\/","title":{"rendered":"The Turn of the Screw"},"content":{"rendered":"

[vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”2″ bottom_padding=”0″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”564871″][vc_column width=”1\/1″][vc_single_image dynamic=”yes” media_width_percent=”100″ media_ratio=”sixteen-nine” alignment=”center” uncode_shortcode_id=”564444″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”4″ bottom_padding=”7″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ uncode_shortcode_id=”158933″][vc_column column_width_percent=”100″ gutter_size=”5″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ uncode_shortcode_id=”175235″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ limit_content=”” uncode_shortcode_id=”620769″][vc_column_inner width=”1\/2″][vc_custom_heading auto_text=”yes” heading_semantic=”h1″ text_size=”fontsize-338686″ text_weight=”200″ uncode_shortcode_id=”198953″]This is a custom heading element.[\/vc_custom_heading][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″ uncode_shortcode_id=”163649″][vc_custom_heading heading_semantic=”h4″ text_size=”h4″ text_height=”fontheight-524109″ text_space=”fontspace-781688″ uncode_shortcode_id=”287185″]Teatro Ariosto<\/p>\n

Corso Benedetto Cairoli 1, Reggio Emilia[\/vc_custom_heading][\/vc_column_inner][vc_column_inner width=”1\/4″][vc_custom_heading heading_semantic=”h5″ text_size=”h5″ text_height=”fontheight-524109″ text_space=”fontspace-781688″ uncode_shortcode_id=”122650″]<\/p>\n

19 May 2023, h. 8pm<\/span><\/p>\n

21 May 2023, h. 3:30pm<\/span><\/p>\n

[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][vc_separator sep_color=”accent” uncode_shortcode_id=”631980″ sep_color_type=”uncode-palette”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ limit_content=”” uncode_shortcode_id=”699846″][vc_column_inner column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”148968″][vc_column_text uncode_shortcode_id=”801870″]<\/p>\n

Benjamin Britten<\/b><\/span><\/p>\n

The turn of the screw<\/i>, Op. 54, chamber opera in a prologue and two acts<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0<\/span><\/p>\n

cast<\/span><\/p>\n

Florian Panzieri<\/b>
\nChiara Trapani<\/b>
\nLaura Zecchini<\/b>
\nLiga Liedskalnina<\/b><\/span><\/p>\n

\u00a0<\/span><\/p>\n

Icarus vs Muzak<\/b><\/span><\/p>\n

Francesco Bossaglia<\/b>, conductor<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Fabio Condemi<\/b>, director, stage and costumes design
\nFabio Cherstich<\/b>, stage design and dramaturgy
\nGianluca Sbicca<\/b>, costumes\u00a0
\nOscar Frosio<\/b>, lighting<\/span><\/p>\n

\u00a0<\/span><\/p>\n

new production by Fondazione I Teatri Reggio Emilia<\/b><\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”0″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”542485″][vc_column_text uncode_shortcode_id=”875099″]<\/p>\n

Benjamin Britten\u2019s music and his concept of Henry James\u2019 psychological novel provide challenges to audiences more comfortable with the romantic and classical repertoire, but the rewards are many. Of particular strength in the opera is Myfanwy Piper\u2019s English libretto, especially in its poetic representation of the ghosts\u2019 thoughts.<\/span><\/p>\n

The objection to Britten\u2019s approach is that he reifies the ghosts rather than permitting alternative interpretations. Like Macbeth\u2019s witches, the spirits have a scene of their own, undermining any reading, more appropriate to our times, that they are creatures of the governess\u2019s mind. (Even the theatre\u2019s most famous ghost, that of the late king in\u00a0Hamlet<\/i>, allows the interpretation that it is an imagining of the Prince.) The opera\u2019s instrumentation is most effective and impressive, including only five strings but a range of interesting percussion and the celeste and harp, plus several woodwinds including exotic-sounding bass clarinet and bassoon. Their use in evoking the unsettling strangeness of the setting is quite intriguing.<\/span><\/p>\n

John Henningham<\/span><\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″ limit_content=”” uncode_shortcode_id=”132238″][vc_column_inner width=”1\/2″][vc_gallery el_id=”gallery-631252″ type=”carousel” random=”yes” medias=”103408,103409,103410″ carousel_lg=”3″ carousel_md=”3″ carousel_sm=”2″ thumb_size=”three-two” gutter_size=”2″ media_items=”media|nolink|original” carousel_interval=”3000″ carousel_navspeed=”400″ carousel_dots_mobile=”yes” stage_padding=”0″ single_shape=”round” single_overlay_opacity=”50″ single_overlay_anim=”no” single_text_anim=”no” single_image_anim=”no” single_padding=”2″ single_border=”yes” uncode_shortcode_id=”131116″][vc_empty_space empty_h=”2″ desktop_visibility=”yes”][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/2″ uncode_shortcode_id=”188867″][vc_button border_width=”0″ icon_position=”right” link=”url:https%3A%2F%2Fwww.iteatri.re.it%2Fspettacolo%2Fthe-turning-of-the-screw-il-giro-di-vite%2F|title:ATER|target:_blank|” uncode_shortcode_id=”263699″ icon=”fa fa-open”]buy the tickets[\/vc_button][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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