{"id":108647,"date":"2025-10-17T08:28:14","date_gmt":"2025-10-17T08:28:14","guid":{"rendered":"https:\/\/icarusvsmuzak.com\/storie-dellappennino\/appennino-stories-3-day\/"},"modified":"2025-10-18T08:44:07","modified_gmt":"2025-10-18T08:44:07","slug":"appennino-stories-3-day","status":"publish","type":"page","link":"https:\/\/icarusvsmuzak.com\/en\/festivals\/storie-dellappennino\/appennino-stories-3-day\/","title":{"rendered":"Appennino Stories – 3\u00b0 DAY"},"content":{"rendered":"

[vc_row row_height_percent=”40″ back_color=”color-jevc” back_image=”108614″ parallax=”yes” overlay_color=”color-jevc” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”965300″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette”][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ mobile_height=”340″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”2″ bottom_padding=”5″ overlay_alpha=”50″ gutter_size=”3″ column_width_use_pixel=”yes” shift_y=”0″ z_index=”2″][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ style=”dark” back_color=”accent” overlay_alpha=”50″ radius=”std” shadow=”lg” shift_x=”0″ shift_y=”-5″ shift_y_fixed=”yes” shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h6″ text_size=”fontsize-160000″ text_transform=”uppercase” text_space=”fontspace-135905″ uncode_shortcode_id=”344522″]Ecological \/ Traditional \/ Experimental \/ Spiritual<\/strong>[\/vc_custom_heading][vc_separator sep_color=”,Default”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_right” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/2″][vc_custom_heading heading_semantic=”h3″ text_size=”fontsize-155944″ sub_lead=”yes” uncode_shortcode_id=”142361″]APPENNINO STORIES<\/strong>[\/vc_custom_heading][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/2″][vc_column_text text_lead=”yes” uncode_shortcode_id=”294239″]3\u00b0\u00a0 DAY – 07\/07\/2025[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”,Default”][vc_column_text uncode_shortcode_id=”121180″]<\/p>\n

5:00 p.m. Ecological<\/strong><\/p>\n

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Fivizzano: Museo di San Giovanni<\/strong><\/p>\n

<\/p>\n

Ensemble Kuraia (Spain)<\/strong><\/p>\n

<\/p>\n

Zuri\u00f1e Gerenabarrena: Eutsi-<\/em> (2022)
Flute, violin, cello, and piano<\/p>\n

<\/p>\n

Gabriel Erkoreka: Ametsak<\/em> (2021)<\/p>\n

<\/p>\n

F\u00e9lix Ibarrondo: Volutas<\/em> (2020)
Violin, cello, and piano<\/p>\n

<\/p>\n

Mikel Chamizo: Di l\u00ed a sei giorni-<\/em> (2023)
Flute, clarinet, violin, cello, and piano<\/p>\n

<\/p>\n

The Basque Country (Euskadi<\/em> in the Basque language) is a model of sustainability and cultural, social, and economic transformation. Political, cultural, and urban planning actions carried out in its three capitals\u2014Bilbao, San Sebasti\u00e1n, and Vitoria\u2014have contributed to the transition from an industrial model to genuine service-oriented cities, where livability, culture, ecology, and sustainability are at the center of deep reflection.<\/p>\n

<\/p>\n

The city of Vitoria was named Green Capital<\/em> by the European Commission in 2012. San Sebasti\u00e1n was European Capital of Culture<\/em> in 2016 and, in the same year, was also awarded Best European City<\/em> by the prestigious Academy of Urbanism in Cambridge. Bilbao received the Best European City<\/em> award at The Urbanism Awards 2018<\/em> and is also home to one of the European branches of the Guggenheim Museum.<\/p>\n

<\/p>\n

Ensemble Kuraia offers a musical vision of these transformations through a program featuring composers from the three regions that make up Euskadi: Biscay, Gipuzkoa, and \u00c1lava. The performed works and meetings with the composers will offer a captivating musical landscape.<\/p>\n

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9:00 p.m. Experimental<\/strong><\/p>\n

Fivizzano: Museo di San Giovanni<\/strong><\/p>\n

Ensemble Vortex Geneva (Switzerland)<\/strong> (rescheduled to CSRN, Reggio Emilia on 11\/10)<\/em><\/p>\n

Anna Korsun \u2013 Sottilissime<\/em> for string trio (2019)
Carlo Ciceri \u2013 Cruda<\/em> for string trio and electronics (2012)
Arturo Corrales \u2013 Beyond (Estudio 1) \/ Bend (Estudio 3) \/ Swell (Estudio 4)<\/em>, Estudios para guitarra el\u00e9ctrica<\/em> version for electric guitar and strings (2022)
Daniel Zea \u2013 Pajarito azul<\/em> for viola and electronics (2021)<\/p>\n

Intimate Vortex<\/strong>
Ensemble Vortex embarks on a journey to Italy to meet two important contemporary ensembles: FontanaMIX<\/em> of Bologna and Icarus vs. Muzak<\/em> of Reggio Emilia.<\/p>\n

The Geneva-based ensemble presents recent works for string trio, both with and without electronic elements, by frequently performed composers. Electronics or the sound of an electric guitar form the distinctive character of Ensemble Vortex\u2019s sound.<\/p>\n

The repertoire presented during this Italian residency includes compositions by Daniel Zea and Arturo Corrales, two founding members of the ensemble, alongside works by their Italian colleague Carlo Ciceri, whose untimely passing is mourned, and Anna Korsun, a young but already established Ukrainian composer.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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