{"id":108641,"date":"2025-10-17T08:19:41","date_gmt":"2025-10-17T08:19:41","guid":{"rendered":"https:\/\/icarusvsmuzak.com\/storie-dellappennino\/appennino-stories-1-day\/"},"modified":"2025-10-18T08:39:58","modified_gmt":"2025-10-18T08:39:58","slug":"appennino-stories-1-day","status":"publish","type":"page","link":"https:\/\/icarusvsmuzak.com\/en\/festivals\/storie-dellappennino\/appennino-stories-1-day\/","title":{"rendered":"Appennino Stories – 1\u00b0 DAY"},"content":{"rendered":"

[vc_row row_height_percent=”40″ back_color=”color-jevc” back_image=”108614″ parallax=”yes” overlay_color=”color-jevc” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ content_parallax=”0″ uncode_shortcode_id=”965300″ back_color_type=”uncode-palette” overlay_color_type=”uncode-palette”][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ mobile_height=”340″][\/vc_column][\/vc_row][vc_row row_height_percent=”0″ override_padding=”yes” h_padding=”3″ top_padding=”2″ bottom_padding=”5″ overlay_alpha=”50″ gutter_size=”3″ column_width_use_pixel=”yes” shift_y=”0″ z_index=”2″][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”3″ override_padding=”yes” column_padding=”3″ style=”dark” back_color=”accent” overlay_alpha=”50″ radius=”std” shadow=”lg” shift_x=”0″ shift_y=”-5″ shift_y_fixed=”yes” shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_custom_heading heading_semantic=”h6″ text_size=”fontsize-160000″ text_transform=”uppercase” text_space=”fontspace-135905″ uncode_shortcode_id=”344522″]Ecological\/Traditional\/Experimental\/Spiritual[\/vc_custom_heading][vc_separator sep_color=”,Default”][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”4″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ align_horizontal=”align_right” gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/2″][vc_custom_heading heading_semantic=”h3″ text_size=”fontsize-155944″ sub_lead=”yes” uncode_shortcode_id=”142361″]APPENNINO STORIES[\/vc_custom_heading][\/vc_column_inner][vc_column_inner column_width_percent=”100″ gutter_size=”3″ style=”dark” overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ align_medium=”align_center_tablet” medium_width=”0″ align_mobile=”align_center_mobile” mobile_width=”0″ width=”1\/2″][vc_column_text text_lead=”yes” uncode_shortcode_id=”855008″]1 \u00b0 DAY – 05\/07\/2025[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”,Default”][vc_column_text uncode_shortcode_id=”309439″]<\/p>\n

5:00 p.m.<\/strong><\/p>\n

<\/p>\n

Castelnovo ne\u2019 Monti: Teatro Bismantova<\/strong><\/p>\n

<\/p>\n

Ensemble Kuraia (Spain)<\/strong><\/p>\n

<\/p>\n

Zuri\u00f1e Gerenabarrena: Eutsi-<\/em> (2022)
Flute, violin, cello, and piano<\/p>\n

<\/p>\n

Gabriel Erkoreka: Ametsak<\/em> (2021)<\/p>\n

<\/p>\n

F\u00e9lix Ibarrondo: Volutas<\/em> (2020)
Violin, cello, and piano<\/p>\n

<\/p>\n

Mikel Chamizo: Di l\u00ed a sei giorni-<\/em> (2023)
Flute, clarinet, violin, cello, and piano<\/p>\n

<\/p>\n

The Basque Country (Euskadi in the Basque language) is a model of sustainability and cultural, social, and economic transformation. The political, cultural, and urban planning initiatives carried out in its three capitals\u2014Bilbao, San Sebasti\u00e1n, and Vitoria\u2014have contributed to the transition from an industrial model to true service-oriented cities, where livability, culture, ecology, and sustainability are at the core of deep reflection.<\/p>\n

<\/p>\n

The city of Vitoria was named Green Capital<\/em> by the European Commission in 2012. San Sebasti\u00e1n was European Capital of Culture<\/em> in 2016 and, in the same year, was also awarded Best European City<\/em> by the prestigious Academy of Urbanism in Cambridge. Bilbao received the Best European City<\/em> award at The Urbanism Awards 2018<\/em> and is also home to one of the European branches of the Guggenheim Museum.<\/p>\n

<\/p>\n

Ensemble Kuraia offers a musical vision of these transformations through a program featuring composers from the three regions that make up Euskadi: Biscay, Gipuzkoa, and \u00c1lava. The performed works and meetings with the composers will offer a captivating musical landscape.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”,Default”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”125372″]6:00 p.m. \u2013 Traditional<\/strong><\/p>\n

Castelnovo ne\u2019 Monti: Teatro Bismantova<\/strong><\/p>\n

Icarus Ensemble (Italy)<\/strong><\/p>\n

From Waltzes, Polkas and Mazurkas of Emilia<\/em> (arr. Fabio Codeluppi)<\/p>\n

A cycle of compositions originating from the historic Concerto Cantoni<\/em>, an orchestra devoted to dance music and composed mainly of wind instruments. It was founded by Giuseppe Cantoni in 1861 and represented the main contribution to the popular music of Emilia during that period.<\/p>\n

Icarus presents a selection of Polkas, Waltzes, and Mazurkas transcribed and arranged for the ensemble by Fabio Codeluppi, one of the leading experts in this musical tradition.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”,Default”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”930153″]7:00 p.m. \u2013 Experimental<\/strong><\/p>\n

Castelnovo ne\u2019 Monti: Teatro Bismantova<\/strong><\/p>\n

Ensemble Istantanea (Italy)<\/strong><\/p>\n

The repertoire is drawn from the album \u201cVirtual Landscape\u201d<\/em>, produced in collaboration with Da_sh Music \/\/ Editions Recordings & Digital Art, Madrid.<\/p>\n

Program:<\/strong>
Salvatore Sciarrino \u2013 Due risvegli e il vento<\/em>, for soprano, clarinets, violin, viola, and cello
Dimitri Sillato \u2013 K\u00f2rdax<\/em>, for viola, double bass, clarinet, and bass clarinet
Gioia Gurioli \u2013 Couloir de noir<\/em>, for solo cello
Alfonso Santimone \u2013 Three Pills<\/em>, for clarinet, bass clarinet, violin, viola, cello, and double bass
Livia Malossi \u2013 Transhuman[ce]<\/em>, for violin, viola, and cello<\/p>\n

Performers:<\/strong>
Istantanea Ensemble
Elisa Prosperi \u2013 soprano
Tommaso Ussardi \u2013 conductor<\/p>\n

Istantanea is a meeting ground between the collective of musicians Istantanea Ensemble<\/em>\u2014founded in 2018 within the artistic environment of Mercato Sonato<\/em> in Bologna\u2014and the Tower Jazz Composers Orchestra<\/em>, resident ensemble at the Torrione Jazz Club in Ferrara.<\/p>\n

The creative synergy among musicians attentive to the intersections between contemporary experimental music, improvisation, and the evolving jazz tradition drives a profound exploration of the expressive possibilities of contemporary repertoire.<\/p>\n

Istantanea emphasizes the creation and dissemination of original works rooted in a close dialogue between written music, improvisation as a real-time compositional language, electronics, and the visual and performing arts.<\/p>\n

The soul of the collective thrives on the osmosis between composers and artists of diverse backgrounds, united in generating cross-disciplinary pathways within today\u2019s artistic landscape\u2014giving life to a protean archipelago of remarkable creative biodiversity.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”,Default”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”127547″]<\/p>\n

9:00 p.m. \u2013 Spiritual<\/strong><\/p>\n

<\/p>\n

Santo Stefano di Pineto<\/strong><\/p>\n

<\/p>\n

Mar\u00eda Eugenia Luc presents Figlia dell\u2019Aria<\/em><\/strong>
(followed by a performance by Ensemble Kuraia)<\/p>\n

<\/p>\n

It is the Italian language that Mar\u00eda Eugenia Luc has chosen to use this week in her brief sound portraits. Italy was the country of her first steps as a musician abroad, when she continued her composition studies\u2014it is a country and a language to which she feels deeply connected.<\/p>\n

<\/p>\n

It is also in this language that she communicates with Mario Caroli, one of her dearest interpreters. The friendship and complicity the two musicians have shared for years are at the heart of Figlia dell\u2019Aria<\/em> (\u201cDaughter of the Air\u201d).<\/p>\n

<\/p>\n

At the center of this piece lies air<\/em>\u2014breath (a self-evident theme when it comes to a wind instrument!)\u2014but also the voice within the flute<\/em>…<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_separator sep_color=”,Default”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”182236″]<\/p>\n

10:00 p.m. \u2013 Spiritual<\/strong><\/p>\n

<\/p>\n

Santo Stefano di Pineto<\/strong><\/p>\n

<\/p>\n

Nicola Cisternino: Grande Preghiera Tibetana per la Pace<\/em> No. 14<\/strong><\/p>\n

<\/p>\n

Grande Preghiera Tibetana per la Pace<\/em> No. 14
for Tibetan instrumentarium and three instrumental ensembles<\/p>\n

<\/p>\n

The Grande Preghiera Tibetana per la Pace<\/em> (Great Tibetan Prayer for Peace) consists of creating prayers on colored fabrics (silk or other light materials) in the five colors of the Tibetan mythological universe\u2014Yellow, Green, Red, Turquoise, and White. These fabrics, made by the composer together with local inhabitants from various parts of the world, are inscribed with the Sanskrit mantra Om Mani Padme Hum<\/em>, accompanied by the word Peace<\/em> written in all the world\u2019s languages.<\/p>\n

<\/p>\n

At the conclusion of the festival\u2019s first day, Nicola Cisternino\u2019s Grande Preghiera di Bismantova<\/em>, for Tibetan instrumentarium and three instrumental ensembles, will be performed. This work is the culmination of a long and patient process involving two hundred children from the local summer center, who participated both in creating the prayer fabrics and in experiencing the sounds of Tibetan instruments.<\/p>\n

<\/p>\n

The event will engage not only the students but also local residents in preparing and realizing the colorful fabric prayers, forming part of a collective Great Tibetan Prayer for Peace<\/em>. The concert will thus serve as a ritual of inauguration, with the active participation of all performers.<\/p>\n

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